{"id":611,"date":"2018-04-09T10:30:12","date_gmt":"2018-04-09T08:30:12","guid":{"rendered":"https:\/\/britishdailynews.co.uk\/?p=611"},"modified":"2018-04-06T10:32:53","modified_gmt":"2018-04-06T08:32:53","slug":"photographer-reunited-with-woman-whose-image-symbolised-lebanons-disintegration","status":"publish","type":"post","link":"https:\/\/britishdailynews.co.uk\/?p=611","title":{"rendered":"Photographer reunited with woman whose image symbolised Lebanon&#8217;s disintegration"},"content":{"rendered":"<header class=\"content__head content__head--article tonal__head tonal__head--tone-feature\">\n<div class=\"content__headline-standfirst-wrapper\">\n<div class=\"tonal__standfirst u-cf\">\n<div class=\"content__standfirst\" data-link-name=\"standfirst\" data-component=\"standfirst\"><\/div>\n<\/div>\n<\/div>\n<figure id=\"img-1\" class=\"media-primary media-content media-primary--showcase  \" data-component=\"image\" data-media-id=\"b9214e25ad06bb7e7a68c2771b54dfce724f6589\">\n<div class=\"u-responsive-ratio\" style=\"text-align: left;\">For nearly 33 years, Samar Baltaji was the one-legged mother in the photo, holding the hand of her maimed daughter, Nisrine, as they walked through a landscape of Beirut at war.<\/div>\n<\/figure>\n<\/header>\n<div class=\"content__article-body from-content-api js-article__body\" data-test-id=\"article-review-body\">\n<p>In a simple skirt and blouse and with a transistor radio on her hip, she stared straight into the camera of a young photographer, Maher Attar, who was covering clashes near the Sabra Shatila Palestinian refugee camp. His photo made the front of the New York Times, capturing Lebanon\u2019s disintegration like few other images in the 15-year conflict and launched his career.<\/p>\n<figure id=\"img-2\" class=\"element element-image img--portrait  fig--narrow-caption fig--has-shares \" data-component=\"image\" data-media-id=\"20a3d4857817812adc6efafdb238b32bd1f83a98\"><figcaption class=\"caption caption--img caption caption--img\"><\/figcaption><\/figure>\n<p>In the decades since, the stillness of mother and daughter under a stark summer light remained a defining image of the civil war \u2013 one of simple dignity in the face of carnage and prevailing against formidable odds.<\/p>\n<div id=\"dfp-ad--inline1\" class=\"js-ad-slot ad-slot ad-slot--inline ad-slot--inline1 ad-slot--rendered\" data-link-name=\"ad slot inline1\" data-name=\"inline1\" data-mobile=\"1,1|2,2|300,250|fluid\" data-desktop=\"1,1|2,2|300,250|620,1|620,350|fluid\" data-google-query-id=\"CLq7m4CepdoCFSmTdwodjNsL9A\">\n<div id=\"google_ads_iframe_\/59666047\/theguardian.com\/world\/article\/ng_0__container__\" class=\"ad-slot__content\"><\/div>\n<\/div>\n<p>Last week, the photographer and his subject came face to face again. Maher was going to a gym in Beirut\u2019s Verdun district. Samar was begging nearby. Now a double amputee \u2013 her second leg was lost to bone disease 12 years ago \u2013 the pair said they instinctively knew each other. \u201cI said \u2018I\u2019ll give you a clue &#8211; smile,\u201d Attar said. \u201cAnd she replied straight away: \u2018Maher\u2019\u201d.<\/p>\n<p>Samer remembers that moment in time, 2 June 1985, as a rare ceasefire after days of fighting between Palestinian factions and the Shia militia group Amal. \u201cThey caught Maher and beat him up,\u201d she said. \u201cHe was taking pictures from the car window and he dropped his camera. I gave it back to him.\u201d<\/p>\n<p>Samar slowly forgot about the brief encounter. She had a young family to raise in a city that was not functioning. The threat of another rocket, like the one that took her leg in her living room, remained very real. Her health steadily disintegrated until she lost her second leg. With four children to feed, and with little state support for her or any of Lebanon\u2019s estimated 150,000 civilians wounded by war, she took to the streets.<\/p>\n<aside class=\"element element-rich-link element-rich-link--tag element--thumbnail element-rich-link--upgraded\" data-component=\"rich-link-tag\" data-link-name=\"rich-link-tag\">\n<div class=\"rich-link tone-news--item rich-link--pillar-arts\">\n<div class=\"rich-link__container\">\n<div class=\"rich-link__header\"><\/div>\n<div class=\"rich-link__read-more\">\n<div class=\"rich-link__read-more-text\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/aside>\n<p>\u201cMy husband died. My son is working but our rent is $400 per month and I figured out that if I begged I could make enough money to ensure we did not have to touch the rent money,\u201d she said this week. \u201cNo NGO or charity has helped me. Just the streets and the people.\u201d<\/p>\n<p>Family life has also been challenging for Samar. Her husband, Ziad, was electrocuted eight years ago and a feud with her daughter saw her leave home. \u201cI gave up my leg to save hers in 1982 \u2013 they needed cartilage from mine \u2013 and after her father died she kicked me out.\u201d<\/p>\n<p>Now, her face leathered by sun, and her tiny frame barely rising above the back of her wheelchair, she says she regrets little about her 58 years. \u201cSometimes I sit on the balcony and think and I begin to cry. And then I think I\u2019m lucky to be alive and I go back to being patient.\u201d<\/p>\n<figure id=\"img-3\" class=\"element element-image img--landscape  fig--narrow-caption fig--has-shares \" data-component=\"image\" data-media-id=\"5f97b5a39ce7bd203b77e4468246e05218cd8b87\"><figcaption class=\"caption caption--img caption caption--img\"><\/figcaption><\/figure>\n<p>Maher says the chance meeting has left him with a \u201cpersonal duty\u201d to help Samar. \u201cMaybe it\u2019s my age, maybe it\u2019s the fact that I\u2019m made, but I need to do something,\u201d he says.<\/p>\n<p>The pair had been briefly reunited once before when a TV show went looking for icons of the war in 2005. \u201cBut it was short and I was told she was being looked after,\u201d Maher said. \u201cNow I know she needs help.\u201d<\/p>\n<p>On Wednesday, Samar and Maher went back to the spot in the Sabra Shatila camp where their encounter took place. They moved past two cemeteries, where some of the war\u2019s dead are buried, looking for the precise location. \u201cIt\u2019s here!\u201d shouted Samar, stopping near a building pockmarked by bullets.<\/p>\n<p>\u201cIt\u2019s 50 metres further,\u201d said Maher. In the end, both were wrong \u2013 they were facing the wrong way. When the site was finally settled on, or close enough to it, the now 55-year-old photographer and the once young mum both seemed their age. And both seemed content. He called her \u201cauntie\u201d. She called him \u201cbrother\u201d.<\/p>\n<p>\u201cI swear I\u2019m better for knowing you,\u201d said Samar. The feeling was clearly mutual.<\/p>\n<p>Before they parted, Samar was asked to reveal the song playing on the radio as she hobbled through the war zone.<\/p>\n<figure class=\"element element-video fig--has-shares fig--narrow-caption\" data-canonical-url=\"http:\/\/www.youtube.com\/watch?v=kT-qFRQG83M\" data-component=\"video-inbody-embed\"><figcaption class=\"caption caption--img\"><\/figcaption><\/figure>\n<p>It was a love song called They Ask Me, by Warda, an Algerian singer. On that day, it was a vignette to a lull in the chaos. Now, it has become a soundtrack to a life of loss and dignity. Hearing it again made her cry.<\/p>\n<p>Source\u00a0https:\/\/www.theguardian.com\/world\/2018\/apr\/06\/lebanon-photograph-woman-whose-image-symbolised-disintegration<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>For nearly 33 years, Samar Baltaji was the one-legged mother in the photo, holding the hand of her maimed daughter, Nisrine, as they walked through a landscape of Beirut at war. In a simple skirt and blouse and with a transistor radio on her hip, she stared straight into the camera of a young photographer, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/611"}],"collection":[{"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=611"}],"version-history":[{"count":1,"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/611\/revisions"}],"predecessor-version":[{"id":613,"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/611\/revisions\/613"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=\/wp\/v2\/media\/612"}],"wp:attachment":[{"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/britishdailynews.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}